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The Spring issue of Art &Australia turns its steady gaze to the medium of painting.
“Although it has been the fashion in recent decades to look at painting with the eye of a diagnostician, or even an undertaker - one lens trained on the heart monitor, the other scanning the death notices - it is with great relief that we can now move on from this deathbed vigil. Which is to say that no one today much believes in painting's death, nor in its trumpeted return or 'triumph'. Which is to say we can get back to the simple and important act of looking.”
Katrina Schwarz, Editor
The question of how to look at the lustrous and creamy paintings of Ben Quilty is answered in an expansive essay by Dougal Phillips, with the imperative 'go deeper'. Louis Nowra writes on Joe Furlonger's prodigious output and torrid painterly experiments, while Louise Martin-Chew finds music and poetry in the work of Sam Fullbrook. Alison Kubler finds a hotbed of talent in her survey profile of young Queensland painters and Mandy Sayer finds much to ponder in John Brack's portrait of Mrs Edna Everage.

Vol 45 No 1 Spring 2007

Mark Hilton
Vast and luminescent, Mark Hilton's exquisitely-detailed lightboxes belie the Melbourne artist's fascination with the darkest recesses of contemporary experience. As the most striking examples of an expansive and rigorous practice, which incorporates drawing,...

Satirists of suburbia: Mrs Edna Everage paints John Brack
In the late 1960s Barry Humphries approached Melbourne artist John Brack and asked him to paint a portrait of Humphries's theatrical alter ego, Edna Everage. At the time, Humphries was a comedian and entertainer in his late twenties, enjoying great early...

Joe Furlonger
There are some artists who quietly work away in the margins of the art world, unaffected by fashion and the lure of fame, who gradually gain respect, not only for their art but also for their unwavering stubbornness in being true to their vision. Joe...

Queensland Painters: The New Breed
Although Brisbane suffers from a dearth of more than a couple of artist run-initiatives (such as Christopher Bennie's Moreton Street Spare Room project based in a 3 x 4 metre room in his New Farm house) and a similar lack of commercial galleries, the...

Ben Quilty: Rust in peace, or Youth and young manhood
...Ben Quilty's studio is located in a small industrial park near Sydney Airport. The surrounding units all house retail transport and packaging businesses, with the artist's studio happily marked out by a white Torana (in surprisingly mint condition) sitting...
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