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Martin Sharp, Still life: (Marilyn), 1973, painting and synthetic polymer paint on canvas, 117 x 91.5 cm, collection National Gallery of Australia, Canberra, courtesy National Gallery of Australia, Canberra.

FEATURES

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Martin Sharp: A democratic surrealism by Christine France
view: Martin Sharp: A democratic surrealism
 
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A nice well-done child: Forty years of Kaldor Public Art Projects by Anthony Bond
view: A nice well-done child: Forty years of Kaldor Public Art Projects
 
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A privileged moment: Retracing Tony Tuckson's pioneering journey north by Hetti Perkins
view: A privileged moment: Retracing Tony Tuckson's pioneering journey north
 
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A horse designed by a committee: Revisiting the Tates 1963 survey of Australian painting by Simon Pierse
view: A horse designed by a committee: Revisiting the Tate's 1963 survey of Australian painting
 
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Judy Millar: Catastrophic pictures for the twenty-first century by Morgan Thomas
view: Judy Millar: Catastrophic pictures for the twenty-first century
 
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Extimacy: A new generation of feminism by Alexie Glass
view: Extimacy: A new generation of feminism
 
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Tom Nicholson: Following the event by Blair French
view: Tom Nicholson: Following the event
 
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Double agents: Complication in recent performance by Reuben Keehan
view: Double agents: Complication in recent performance
 

FORUM

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Contributors
 
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Rethinking the present: The 53rd Venice Biennale by Victoria Lynn
view: Rethinking the present: The 53rd Venice Biennale
 
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A honeymoon in Venice: Peter Greenaway on Veroneses The wedding at Cana by Michael Fitzgerald
 
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A sustained period of looking: Two decades of the Clemenger by Michael Fitzgerald
 
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John Mawurndjul: Some kind of magic by Talia Linz
 
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Entropy and lift-off: Ken Unsworths A Ringing Glass (Rilke) by Daniel Thomas
view: Entropy and lift-off: Ken Unsworth's 'A Ringing Glass (Rilke)'
 
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Patricia Piccinini: On survival by Talia Linz
 
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Ceramic beefcake and other desires: The art of Stephen Benwell by John McPhee
 
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Felt memorials: A survey of Kathy Temin by Kelly Gellatly
view: Felt memorials: A survey of Kathy Temin
 

REVIEW

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The China Project by Souchou Yao
 
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My Own Private Idealogue by Dylan Rainforth
 
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John Brack by Sasha Grishin
 
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Gallery A Sydney 19641983 by Peter Pinson
 
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I Walk the Line: New Australian Drawing by Craig Judd
 
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Avoiding Myth &Message by Jos Borghino
 
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The Same River Twice by Anthony Gardner
 
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One Day Sculpture by Rebecca Coates
 

Gertrude Contemporary Art Spaces and Art & Australia Emerging Writers Program

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Nicholas Croggon on 'Too Much of Me: 7 Paths Through the Absurd (With Detour)'
view: Gertrude Contemporary Art Spaces and Art & Australia Emerging Writers Program
 

ARTIST PAGES

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'The Shades - 3 &4' by Matt Coyle
view: Matt Coyle: The Shades  - 3 & 4
 

ANZ Private Bank and Art & Australia Contemporary Art Award

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Jordana Maisie by Marni Williams
view: ANZ Private Bank and Art & Australia Contemporary Art Award: Jordana Maisie
 
 
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