FEATURES
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Martin Sharp: A democratic surrealism by Christine France

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A nice well-done child: Forty years of Kaldor Public Art Projects by Anthony Bond

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A privileged moment: Retracing Tony Tuckson's pioneering journey north by Hetti Perkins

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A horse designed by a committee: Revisiting the Tates 1963 survey of Australian painting by Simon Pierse

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Judy Millar: Catastrophic pictures for the twenty-first century by Morgan Thomas

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Extimacy: A new generation of feminism by Alexie Glass

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Tom Nicholson: Following the event by Blair French

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Double agents: Complication in recent performance by Reuben Keehan

FORUM
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Contributors
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Rethinking the present: The 53rd Venice Biennale by Victoria Lynn

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A honeymoon in Venice: Peter Greenaway on Veroneses The wedding at Cana by Michael Fitzgerald
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A sustained period of looking: Two decades of the Clemenger by Michael Fitzgerald
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John Mawurndjul: Some kind of magic by Talia Linz
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Entropy and lift-off: Ken Unsworths A Ringing Glass (Rilke) by Daniel Thomas

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Patricia Piccinini: On survival by Talia Linz
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Ceramic beefcake and other desires: The art of Stephen Benwell by John McPhee
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Felt memorials: A survey of Kathy Temin by Kelly Gellatly

REVIEW
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The China Project by Souchou Yao
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My Own Private Idealogue by Dylan Rainforth
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John Brack by Sasha Grishin
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Gallery A Sydney 19641983 by Peter Pinson
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I Walk the Line: New Australian Drawing by Craig Judd
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Avoiding Myth &Message by Jos Borghino
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The Same River Twice by Anthony Gardner
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One Day Sculpture by Rebecca Coates
Gertrude Contemporary Art Spaces and Art & Australia Emerging Writers Program
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Nicholas Croggon on 'Too Much of Me: 7 Paths Through the Absurd (With Detour)'

ARTIST PAGES
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'The Shades - 3 &4' by Matt Coyle

ANZ Private Bank and Art & Australia Contemporary Art Award
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Jordana Maisie by Marni Williams
