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<b>William Kentridge<b>, drawing for <b>Telegrams from the nose, 2008,<b> Indian ink, watercolour, coloured pencil, found pages and collage on paper, 25.2 x 23.5 cm, courtesy the artist.

Vol 45 No 4 Winter 2008

FEATURES

601 Revolutions - Forms that turn: Carolyn Christov-Bakargiev in conversation with Russell Storer

609 Spherical and Without Exits: thoughts on William Kentridge's anamorphic film What Will Come (Has Already Come) by Jane Taylor

616 Artist pages by William Kentridge

625 Conceptual Artist Meets Girl: Stuart Ringholt and the art of self-iimprovement by Sarah Tutton

632 Michael Rakowitz and the tactics of being in-between and everywhere else by Hannah Feldmann

640 Vernon Ah Kee: rainforest surfer by Robert Leonard

FORUM

502 Contributors

530 The Situation Now by Juliana Engberg

532 Attention to place: Letter from Auckland by Tessa Laird

534 Remapping the Asia-Pacific region by Alan Cruickshank

536 Whitney Biennial 2008 and the concept of lessness by Amy Karafin

538 Bill Viola's ascension by Michael Fitzgerald

540 Antony Gormley's embodied space by Victoria Lynn

542 Steering the National Gallery of Australia's past, present and future by Sasha Grishin

546 There is no future: an interview with Ai Wei Wei

550 Points of convergence: Indigenous curators explore the question of contemporary within Aboriginal art by Margaret Farmer

REVIEW

646 Maura Edmond on Emily Floyd; Paddy Johnson on Matthew Sleeth; Maura Edmond on Benjamin Armstrong; Dougal Philips on Nigel Milsom

648 PEEP: Glimpses of the Last 4 Decades from the Kerry Stokes collection by Hannah Mathews

649 Tim Hawkinson's magic mountain ride for adults by Adam Jasper

650 Shaun Gladwell's moving Pictures by Reuben Keehan

651 NEW08 by Sarah Tutton

RIPE: ANZ Private Bank / Art and Australia Contemporary Art Award

672 Jamil Yamani by Katrina Schwarz

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